· 一张白纸完成的艺术丹麦艺术家Peter Callesen作品
· HomeTextiles Today Useful Sites (一)
· 摇田河大街的故事
· 小记一小天
· 摇田河大街的故事
[置顶] 再爱Danny Robert
2009-8-21 12:22:52 阅读377 评论4 212009/08 Aug21
TFS Interview Danny Roberts
My favourite Illustrator.
You’ve probably seen him in some magazines, and many popular sites. Danny Roberts, a very young and talented fashion illustrator/illustrator is making some real noise in the fashion and illustration field. Today, we are so lucky that Danny shares some of his views and technique to us and also some of his fasinating works.
TFS: Do you have particular goal you want to acheive?
DR: Yes. I grew up as a competitive wrestler, and in wrestling I was taught to set long term goals and short term goals. It’s a little bit different setting goals in art because it’s a little bit more abstract. On
TFS: Are you fulflling your childhood dream as a fashion illustrator?
DR: I’m not sure I could say I’m fulfilling my childhood dream to be a Fashion Illustrator, because I on
< covers>
TFS: You use multi media for your illustration, but which media and method are you most sticked with?
DR: I’m fascinated by techniques and experimenting, so I really don’t like using the same processes twice. I’m constantly playing around with new ways of coloring and combining them with old ways. I like using just about anything. For example, just about any of my pictures could have pen, ink, Gauche, color pencil, and Pastel in it. I’m teaching myself to oil paint right now,so I plan on combining that in the mixed media pallet soon.
< fingers! your cross portrait, a them give and admire he bloggers some select>
TFS: What is the different betwee an illustrator and a fashion illustrator?
DR: That’s a good question. I think a Fashion Illustrator’s main emphasis is on clothes and beauty, so I don’t think there is much of a difference.
< Illustration Fashion Danny?s in>
TFS: Do you use computer to paint or color your work?
DR: Yes, sometimes. Like I said on the question of mix media, I like to experiment on color processes and materials, so if I add digital color, I will combine it with real color. I try not to paint completely with the computer if I can help it. For the most part, I try to have the digital element as an enhancement, not to create.
< Illustration Fashion Danny?s in>
TFS: What is your normal daily routine?
DR: I am definitely a routine person; it’s more like my daily schedule.
5:30- 6:30 Try to get out of bed
6:30- 8:00 Read and eat breakfast.
8:00- 9:30 Get organized, check email & schedules, work on my Blog
9:30- 12:30 Draw/ Paint/ Illustrate
12:30- 1:00 Lunch
1:00- 6:00 Draw/ Paint/ Illustrate
6:00- 6:30 Dinner
6:30- 8:00 Hang out with family, watch movies.
8:00- 11:00 Play Mario Cart with my brother and/or Draw/ Paint/ Illustrate
< studio his working>
TFS: What is the meaning of Igor + André?
DR: Ah… I think I’m going to have to hold off on answering that on
< by>
TFS: Do you have any stranger side which few people know?
DR: Hahahha. Maybe, I like to write music, but can’t really sing… and on
< illustration layered 2D 3D using McQueen Alexander of World>
TFS: You started your own clothing company in a very young age at 13! This is pretty awesome right? Can you share some of its experience to us?
I am sure it helps to develop a business mind in an early age and it should be a advantage.
DR: Yes, it was incredible. It opened a lot of doors for me. It also taught me so much at such an early age. For on
< Right: Concept left: Dislay: Windows Citizen>
TFS: You are doing illustrations for a children’s book, Ginger Marmelade Toastmiester. Is it a challenge for you as it is quite far apart from fashion?
DR: Wow, yes! Incredibly difficult. When I took the job, I hadn’t ever drawn animals or illustrated a book, let alone done an illustrated book about animals, so I just researched and practiced non stop. It took me a little while to feel comfortable doing it, but now I feel really comfortable. I really like challenges, and it forced me to grow. I’m scared I’ll get stagnant if I’m doing projects for too long that aren’t challenging.
< Marmelade ?Ginger book children?s first Ward?s Sophie>
TFS: After the children’s book and The Character Sketchbook, what is the next big project?
DR: There is a long term Collaboration Art project I’ve been putting together over this year through Paper Castle Press. We are hoping to have it done some time next year. Basically, I wrote a story on the spot, as a bedtime story for a friend, and it really turned out quiet nice. At the start of this year, Sophie Ward and I got together and had the idea of trying to bring in different artists with different tool sets to work on making the story come to life. Sophie Ward is going to rewrite it and put her lovely words to it, and Stacy Dupree, brilliant songwriter and singer from the Band Eisley, has also been working on it. We are still pulling together everyone who is going to be involved with it. There is more information about it at www.papercastlepress.com; click on “Future Titles”.
TFS: Any words for the new starter?
DR: I would say, be true to yourself and ENJOY EVERY MOMENT of learning. Also, let art inspire you. I think starting out, it can be hard to stay true to yourself, and it’s easy to look at something you like and copy it. But I would say, the key to staying unique is to be yourself, because we all are made differently, which means if I stay true to myself, I will be unique.
Not enough?
You can find out Danny’s technique and some more interviews in Danny’s Blog.
我的第一张正版CD <<Black Birds>>
2010-1-2 2:14:10 阅读57 评论0 22010/01 Jan2
这是我读大学时期在海印买的第一张正版CD,
记得是百多元, CD质量非常好, 里面的每一首歌都质感独特,
CD的封面设计我也非常喜欢, 一只黑鸟,飞冲向激流的瀑布......
可惜的是早已经在产品摄影棚中丢失已久.....
突然想起, 非常怀念, 有机会的话, 再到市场看看能否买回.
挪威爵士乐团 Siri's Svale Band《Black Bird》黑鸟
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专辑名称：Black Bird
乐团：Siri's Svale Band
曲目：
1.I DON'T EXPLAIN
2.LOVE FOR SALE
3.LIKE THAT
4.ANGEL EYES
5.IMAINATION
6.LOVE ME OR LEAVE ME
7.BASSAR
8.PAPER MOON
9.MISS OTIS
一個來自挪威的爵士樂團－「Siri's Svale Band」。"Siri"是女主唱的名字，她有著低沉慵懶、富含磁性的聲音，就適合唱Jazz。"Svale"有兩個意思：一個是"燕子"，另一個是"cool"的意思。所以啦，"燕子樂團"也可以是演奏Cool Jazz的"酷派樂團"。他們1990年灌錄的專輯《BlackBird（黑鳥）》評價非常棒，而且是發燒級錄音。黑鸟（black bird）女声、挪威顶级天后SIRI莎拉，以BLUE蓝调柔和了JAZZ爵士的唱法，倾情演绎了九首曲子，音色优秀，伴奏鲜明，发烧级的录音，绝对是难得的蓝调爵士女声天碟。如果您是发烧友，那么您的器材在播放该张CD的时候，你会兴奋的……
美国 STEREO PHILE 权威评价：“全碟充满绝美女声，及惊人的牛筋低频”。
的确如此，单是开篇头一首“i don't explain”，迎面而来的牛筋，已经是深感过瘾，紧接着主音来自北欧挪威的爵士红伶Siri Beathe Gellein那略带忧郁、尤富磁性的嗓音出场，更是紧紧抓住了你的听觉，此时已是无法抽身。
还要抽身么，如此诱人的女声是器乐，只管一直听下去就是啦。
特喜欢里面的第三首“like that”，简单的二字歌词（除了一段过场），一顿一挫，旋律极之好接受。“love me or leave me”、“paper moon”的跳跃律动，为全碟暗淡的忧郁点缀上丝丝的色彩。一曲“bassar”，更使整个BAND充分表现其器乐之精彩，主音SIRI只是在里面担当和声的角色，正是“好花还需绿叶扶”。
我喜歡這個乐队的原因是，他們有兩把bass，那低沉的弦音撥動真是令人要心醉地顫抖。很適合疲累的夜晚，在昏暗的燈下，想着自己那卑微的心绪，即将离开的友人，我知道这一别肯定又是分离，难再回到当初的纯真了，Leave Me！
一张白纸完成的艺术丹麦艺术家Peter Callesen作品
2009-10-15 15:52:53 阅读282 评论0 152009/10 Oct15
喜欢形式简单, 但内容丰富的东西, 无论是艺术作品还是文章还是电影等等.......就如KaiFuLee所说, 创新其中要注意的一重点是简单. 这也是我成长过程中慢慢理解并非常认同的一点.
A4 papercut
| Resurrection, 2008 Acid free A4 115 gsm paper and glue |
| Resurrection, 2008 (detail) |
| White Hand, 2007 Acid free A4 115 gsm paper and glue |
| Little Erected Ruin, 2007 Acid free A4 115 gsm paper and glue |
| Little Erected Ruin (detail), 2007
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| Half Way Through (detail) , 2006
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| On The Other Side, 2006 Acid free A4 115 gsm paper and glue |
| On The Other Side, 2006 Acid free A4 115 gsm paper and glue |
| On The Other Side (detail), 2006
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| Walking Snail, 2006 Acid free A4 115 gsm paper and glue |
| The Short Distance Between Time and Shadow, 2006 Acid free A4 115 gsm paper and glue |
| The Short Distance Between Time and Shadow (Detail), 2006 |
| Cradle, 2006 Acid free A4 115 gsm paper and glue |
| Cradle (detail), 2006
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| Cradle (detail), 2006
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| Do Not Enter, 2006 Acid free A4 115 gsm paper and glue |
| Do Not Enter (detail), 2006
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| 18,2 cm Tall Tower of Babel, 2005 Acid free A4 80 gsm paper and glue |
| Down the River, 2005 Acid free A4 80 gsm paper and glue |
| Down the River (detail), 2005
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| Wedding Dress Without Bride, 2005 Acid free A4 80 gsm paper and glue |
| All in All, 2006 Acid free A4 115 gsm paper and glue |
| All in All (detail),2006 |
| Angel, 2006 Acid free A4 115 gsm paper and glue |
| Angel (detail), 2006 |
| Closet, 2006 Acid free A4 80 gsm paper and glue |
| Closet (detail), 2006 |
| Dead Bird, 2006 Acid free A4 80 gsm paper and glue |
| Big wave moving towards a small castle made of sand, 2005 Acid free A4 80 gsm paper and glue |
| Distant Wish, 2006 Acid-free A4 115 gsm paper and glue |
| Distant Wish (detail), 2006
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| Eismeer, 2006 Acid free A4 80 gsm paper and glue |
| Eismeer (detail), 2006
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| Hunting, 2005 Acid-free A4 80 gsm paper and glue |
| Hunting (detail), 2005 |
| In the Beginning (Snake inside an egg), 2005 Acid free A4 80 gsm paper and glue |
| In the Shadow of an Orchid, 2005 Acid free A4 80 gsm paper and glue |
| In the Shadow of an Orchid (detail), 2005 Acid free A4 80 gsm paper and glue |
| Impenetrable Castle, 2005 Acid free A4 80 gsm paper and glue |
| Impenetrable Castle (detail), 2005
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| Looking back, 2006 Acid free A4 115 gsm paper and glue |
| Man Made of Woman, 2005 Acid-free A4 80 gsm paper and glue |
| Pandora's Box, 2005 Acid free A4 80 gsm paper and glue |
| Snowballs, 2005 Acid free A4 80 gsm paper and glue |
| Snowballs (detail), 2005 Acid free A4 80 gsm paper and glue |
| Traces in Snow, 2005 Acid-free A4 80 gsm paper and glue |
| Traces in Snow (detail), 2005
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| Single Double Bed, 2005 Acid-free A4 80 gsm paper and glue |
| Fall, 2005 Acid-free A4 80 gsm paper and glue |
| Fall (detail), 2005
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| The Impossible Meeting, 2005 Acid-free A4 80 gsm paper and glue |
| The Impossible Meeting (detail), 2005
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| Bridge Over Troubled Water, 2005 Acid-free A4 80 gsm paper and glue |
| Butterflies Trying to Escape Their Shadow, 2005 Acid-free A4 80 gsm paper and glue |
Large Scale Papercut Installations
| Transparent God, 2009 Acid-free 140 gsm paper and glue, 350 x 450 x 170 cm |
| Transparent God, 2009 Acid-free 140 gsm paper and glue, 350 x 450 x 170 cm |
| The Short Distance between Image and Truth, 2009 120 gsm acid-free paper,140 gsm acid free-paper and acrylic paint. 190 x 260 x 50 cm |
| The Short Distance between Image and Truth, 2009 120 gsm acid-free paper,140 gsm acid free-paper and acrylic paint. 190 x 260 x 50 cm |
| Out of Nothing, 2009 Acid-free 120 gsm paper, acid-free 140 gsm paper and acrylic paint 190 x 260 x 50 cm |
| Human Ruin, 2008 256,5 x 144,5 x 25 cm 120 gsm acid free paper, and glue |
| Human Ruin, 2008
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| Human Ruin (detail), 2008 |
| Fall, 2008 210 x 240 x 70 cm 140 gsm acid free paper, and glue |
Fall (detail), 2008
| Fall (detail), 2008 |
| White Diary, 2008 240 x 212 x 18 cm A5 Notebook (120 gsm acid free paper), pencil, and glue. Mounted on mdf. |
| White Diary (detail), 2008 |
| White Diary (detail), 2008 |
| White Diary (detail), 2008 |
| White Diary (detail), 2008 |
| White Diary (detail), 2008 |
| White Diary (detail), 2008 |
| White Diary (detail), 2008 |
| White Diary (installation view from the solo show Paperman at Helene Nyborg Contemporary), 2008 |
| Erected Ruin, 2007 133 x 99,5 x 33 cm 120 gsm acid free paper, and glue |
| Erected Ruin, 2007 |
| Erected Ruin (detail), 2007 |
| Erected Ruin (detail), 2007 |
| Cut To The Bone, 2007 148 x 250 x 80 cm 150 gsm acid free paper, acrylic paint, and glue |
| Cut To The Bone (detail), 2007 |
| Three Angels Trying to Escape Their Drawing, 2007 355,5 x 330,2 cm 150 gsm acid free paper, and glue Himmelrum, Kunsthallen Nikolaj |
| Three Angels Trying to Escape Their Drawing (detail), 2007 |
| Three Angels Trying to Escape Their Drawing, 2007 |
| Three Angels Trying to Escape Their Drawing, 2007 |
| Castle, 2007 6 x 6 x 3 m Cut and folded from on Fairy Tale, The New Art Gallery, Walsall, Uk Photo: Jonathan Shaw |
| Castle (detail), 2007 6 x 6 x 3 m Cut and folded from on Fairy Tale, The New Art Gallery, Walsall, Uk Photo: Jonathan Shaw |
| On The Other Side, 2006 4,60 x 10 x 3,75 m Cut and folded from on Wedgewood Commission, Nottingham Castle, Uk |
| On The Other Side (detail), 2006 4,60 x 10 x 3,75 m Cut and folded from on Wedgewood Commission, Nottingham Castle, Uk |
| Når alt kommer til alt, 2006 7 m x 4,60 m x 0,9 m Cut and folded from on Transit 06, Charlottenborg Exhibition Hall, Copenhagen |
| Når alt kommer til alt, 2006 7 m x 4,60 m x 0,9 m Cut and folded from on Transit 06, Charlottenborg Exhibition Hall, Copenhagen |
| Når alt kommer til alt (detail), 2006 7 m x 4,60 m x 0,9 m Cut and folded from on Transit 06, Charlottenborg Exhibition Hall, Copenhagen |
| Når alt kommer til alt, (detail) 2006 7 m x 4,60 m x 0,9 m Cut and folded from on Transit 06, Charlottenborg Exhibition Hall, Copenhagen |
| Image of Reality, 2005 152 x 208 x 5 cm, paper flowers 40 cm below 120 gsm thick acid-free paper, glue and pink wall paint. Paper installation at Gallery HYUNDAI’s WINDOW GALLERY. A “papercut painting” with cherry blossom flowers lying underneath, cut and fallen from the canvas of paper |
| Image of Reality, 2005 152 x 208 x 5 cm, paper flowers 40 cm below 120 gsm thick acid-free paper, glue and pink wall paint. Paper installation at Gallery HYUNDAI’s WINDOW GALLERY. A “papercut painting” with cherry blossom flowers lying underneath, cut and fallen from the canvas of paper |
| Image of Reality (detail), 2005 152 x 208 x 5 cm, paper flowers 40 cm below 120 gsm thick acid-free paper, glue and pink wall paint. Paper installation at Gallery HYUNDAI’s WINDOW GALLERY. A “papercut painting” with cherry blossom flowers lying underneath, cut and fallen from the canvas of paper |
| Image of Reality, (detail) 2005 152 x 208 x 5 cm, paper flowers 40 cm below 120 gsm thick acid-free paper, glue and pink wall paint. Paper installation at Gallery HYUNDAI’s WINDOW GALLERY. A “papercut painting” with cherry blossom flowers lying underneath, cut and fallen from the canvas of paper |
| Big Paper Castle, 2004 7,20 x 7,15 x 3,75 m Cut and folded from on Charlottenborg Udstillingsbygning’s Autumn exhibition, Copenhagen |
| Birds trying to escape their drawing, 2005 90 x 128 x 6 cm Acid-free 115 gsm paper and glue |
| Birds trying to escape their drawing, 2005 90 x 128 x 6 cm Acid-free 115 gsm paper and glue |
| Birds trying to escape their drawing (detail), 2005 90 x 128 x 6 cm Acid-free 115 gsm paper and glue |
| Mirage, 2004 2,8 x 2,3 x 2,7 m 120 gsm and 160 gsm thick acid-free paper and glue Paper installation (mirrored staircase constructed of paper) at Gallery Koch und Kesslau, Berlin |
| Mirage (detail), 2004 2,8 x 2,3 x 2,7 m 120 gsm and 160 gsm thick acid-free paper and glue Paper installation (mirrored staircase constructed of paper) at Gallery Koch und Kesslau, Berlin |
| Mirage (details), 2004 2,8 x 2,3 x 2,7 m 120 gsm and 160 gsm thick acid-free paper and glue Paper installation (mirrored staircase constructed of paper) at Gallery Koch und Kesslau, Berlin |
| The weight of feathers, 2005 12 x 55 x 34 cm Acid-free 115 gsm paper and glue |
| Walking on snow, 2003 400 unique hand-cut snowflakes, variable sizes 80 gsm acid-free copy paper Charlottenborg Exhibition Hall, Copenhagen Group exhibition From dust to dusk. |
| Walking on snow (detail), 2003 400 unique hand-cut snowflakes, variable sizes 80 gsm acid-free copy paper Charlottenborg Exhibition Hall, Copenhagen Group exhibition From dust to dusk. |
| Paper ladders, 2003 120 x 100 cm & 310 x 39 cm 80 gsm acid-free copy paper & glue Charlottenborg Exhibition Hall, Copenhagen group show From dust to dusk. | Paper ladders, 2003 120 x 100 cm & 310 x 39 cm 80 gsm acid-free copy paper & glue Charlottenborg Exhibition Hall, Copenhagen group show From dust to dusk. |
| Paper ladders (detail), 2003 120 x 100 cm & 310 x 39 cm 80 gsm acid-free copy paper & glue Charlottenborg Exhibition Hall, Copenhagen group show From dust to dusk. |
| Paper ladders (detail), 2003 120 x 100 cm & 310 x 39 cm 80 gsm acid-free copy paper & glue Charlottenborg Exhibition Hall, Copenhagen group show From dust to dusk.
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| Paper ladders (detail), 2003 120 x 100 cm & 310 x 39 cm 80 gsm acid-free copy paper & glue Charlottenborg Exhibition Hall, Copenhagen group show From dust to dusk. |
| Parallel Stairs, 2003 120 gms and 160 gsm acid free paper and glue Paper installation on 2nd and 3rd floor in the tower of Kunsthallen Nikolaj - Copenhagen Contemporary Art Center (former Nikolaj Church). The group exhibition Turmsturm. |
| Parallel Stairs (detail), 2003 120 gms and 160 gsm acid free paper and glue Paper installation on 2nd and 3rd floor in the tower of Kunsthallen Nikolaj - Copenhagen Contemporary Art Center (former Nikolaj Church). The group exhibition Turmsturm. |
| Parallel Stairs (detail), 2003 120 gms and 160 gsm acid free paper and glue Paper installation on 2nd and 3rd floor in the tower of Kunsthallen Nikolaj - Copenhagen Contemporary Art Center (former Nikolaj Church). The group exhibition Turmsturm. |
| Nature's Maze, 2005 90 x 55 x 3 cm Acid free 115 gsm paper |
| Nature's Maze (detail), 2005 |
| Nature's Maze (detail), 2005
Framed A4 papercut
Works on Water | Biography Peter Callesen Born 1967 in Denmark Education: 1997-00 Goldsmiths College, London 1994-97 Det Jyske Kunstakademi, Århus 1993-94 Århus Art School (Foundation Course) 1990-93 Århus School of Architecture Solo exhibitions: 2009 - Trapholt, Kolding, Denmark.Opens November 25th 2009. - The Museum of Religious Art, Lemvig, Denmark. Opens September 19th 2009. 2008 - Perry Rubenstein Gallery, New York. Opens December 11th 2008. Paperman, Helene Nyborg Contemporary, Copenhagen. 2007 Unfolding, Emily Tsingou Gallery, London. Himmelrum, Kunsthallen Nikolaj in Copenhagen. Himmelrum at Brandt’s in Odense, Denmark 2006 Castle Museum, Nottingham, England ALIVE, BUT DEAD, Helene Nyborg Contemporary, Copenhagen 2005 do ART gallery, Seoul, Korea Egg ballet, Odense Performance Festival Concert for birds, performance on Christianshavns Volde in Copenhagen 2004 emilyTsingou gallery, London Mirage, Galleri Koch und Kesslau, Berlin 2003 Snowdrifting, The Kiosk Project, London 2001 The Life of The Dying Swan, Gallery Tommy Lund, Copenhagen White Shadows, installation & performance, Esbjerg Museum of Art, Denmark 2000 Der Sterbende Schwan, Gallery KUNST auf KAMPNAGEL, Hamburg Jukebox, performance at Gallery Muu, Helsinki Hvorfor blir det nat mor, three days performance, Gallery Tommy Lund, Copenhagen 1999 The Dying Swan is back, performance at Goldsmiths College's exhibitionspace Sailing, performance at Overgaden, Copenhagen Happy Birthday, performance in Goldsmiths College's canteen, London Castle, two weeks happening at Goldsmiths College, London 1998 The Dying swan, performance at Det Fynske Kunstakademis Udstillingssted, Odense The Dying swan, performance at Goldsmiths College's exhibitionspace 1997 Peter R. Callesen præsenterer Peter R. Callesen, happening in rum 46, Århus Little Peter Spiderman III, performance & installation in rum 46, Århus Le Déjeuner sur l'Herbe", happening & installation in rum 46, Århus
Selected group exhibitions: 2009 Filmkunt - kunstfilm, Kunstforeningen Gl. Strand, Copenhagen, Denmark. Opens April 22nd. 2008 Ruiner - fascination og fantasi, Museet På Koldinghus, Denmark. Drømmerier, Statens Museum for Kunst, Copenhagen, Denmark. Papir i tre dimensioner, Skovgaard Art Museum, Viborg, Denmark. Hidden narratives, Graves Art Gallery, Sheffield, England. Dream Therapy, Kathleen Cullen Fine Arts, New York. 2007 Snow Fall, Vejen Art Museum, Denmark. Dec 1st - Mar 24th 2008 Fairy Tale, Leeds City Art Gallery, Leeds, England Venice Biennale, Mobile Journey, Crossing, San Servolo Venice, Italy Fairy Tale, Chapter, Cardiff, Wales Spor, Esbjerg Art Museum, Denmark Exportable Goods, Krinzinger Projekte, Vienna Fairy Tale, The New Art Gallery Walsall, Walsall, England 2006 Group Show, Emily Tsingou, London, England ART COPENHAGEN - THE NORDIC ART FAIR Shanghai Biennale 6, Shanghai Art Museum, China Paper Cuts, Bury St Edmunds Art Gallery, England Fuori è un giorno fragile, Imbiancheria del Vajro, Chieri,Torino, Italy Papercut. Voges + Partner Gallerie, Frankurt am Main, Germany Inner to Go, Gallery Vamiali, Athens. Greece TRANSIT 2006, Charlottenborg Exhibition Hall, Copenhagen 2005 Inaugural show, Helene Nyborg Contemporary, Copenhagen Superbia 2, Cork in Ireland, organized by Kerlin Gallery Vandspejl, exhibition in Frederiksberg Garden, Copenhagen organizer and artist, Tell tail, Ewha Art Centre, Seoul Korea, paper works and performance The City Rumble, Overgaden, Institute of Contemporary Art, Copenhagen The Armory Show, Art Fair New York, represented by emily Tsingou gallery Galleri Susanne Ottesen, Copenhagen 2004 Hidden (hi)stories Galerie K & S, Berlin Charlottenborgs efterårsudstilling, Copenhagen Paper, Emily Tsingou Gallery, London Monument, a public art exhibition in Copenhagen, Main Library and in public 2003 From Dust to Dusk, Charlottenborg, Copenhagen, performance & installation TURMSTURM, organizer and artist, Nikolaj,Copenhagen Contemporary Art Amorph, performancefestival in Helsinki, interactive installation Palace of Dreams NB – lad os modes, videoproject with Kenneth Balfelt, Ydre Nørrebro, Copenhagen Ung Samtidskunst, Marineteknologisk center, Skagen 2002 Artgenda, Hamburg Kunstparade, Copenhagen 2001 Masculinities, Nicolai Church, Copenhagen, performance & video Barcelona Arte Contempereano, BAC, performance & installation, Barcelona Videomanifesta, Gl. Strand, Copenhagen Art Fair in Basel, Gallery Tommy Lund Quality Street, Gallery Tommy Lund ARTKINO, videoscreening at Frankfurt Art Fair All the best, videoscreening at the LUX, London Location, Trinity Buoy Wharf, London, performance The Flying Swan & installation Family 2000 Assembly, London, installation BridgeKonnektor Berlin, Berlin, performance Jukebox & To be - or not to be The Rest of the Story, Chelsea College, London, sculpture Little Head Waterfront, Denmark and Sweden, Folding, Little Peter Spiderman & To be - or not to be Art Forum, Art Fair in Berlin, Gallery Tommy Lund Ylikierroksilla, performance project in Helsinki Art Fair in Basel, Gallery Tommy Lund Croma2, Inauguración Festival, Madrid, video projection So Cold Summer Agglutinate 3 + 4, 291 Gallery, London, performance & video Box Museum 2000, Fukuoka Asian Art Museum, Japan, Handy & drawings 1999 Post-Ulu Gig, Singapore, videos Inside Out & Face to Face The Last Show on Earth, London, performance Jukebox Art Forum, Art Fair in Berlin, Gallery Tommy Lund Performancefestival in Odense, performance Folding Samtidskunstforum in Oslo, videoinstallation Johanne's Cottage The Sun was Shining Upside-down, Overgaden, Copenhagen Cardiff Timebased Art Festival, performance Assurance 1998 Kunstnernes Efterårsudstilling in Copenhagen, video Dreamdriving Kunstnernes Påskeudstilling in Århus, video Handy, Inside Out & To be - or not to be Environmental, London, video Little Peter Spiderman I & I I 1997 View, Videotek in rum 46, Århus, video Act Performancefestival in Odense, video Lille Peter Spiderman & So Cold Charlottenborgs Forårudstilling, Copenhagen, video Little Peter Spiderman I & I I Scholarships, Grants and Residencies: 2007 Residency at Danish Academy in Rome 2005 Grant from Kunstfonden af 1973 2004 Working Grant from Statens Kunstfond, Denmark 2003 Travel grant from Henny Sophie Clausen og møbelarkitekt Axel Clausens fond 2002 Nifca’s Artist Residency in Qaqortoq in Greenland Travel Grant from De Bielkelske Legater Sleipnir Travel Grant Travel Grant from Dansk Metal 2001 Sleipnir Travel Grant for research trip to the North of Norway Århus Kommunes Kunstnerstipendium Selected Reviews, Articles and books: 2006 Peter Callesen – Selected Works, Emily Tsingou Gallery, London, UK 2005 100 Future Greats, Art Review’s Top Emerging Artists, Art Review, December Nacy Williams, More paperwork, Phaidon books, London, UK, p 120 Hans Christian Andersen: by artists from around the world, SolArc Publishing, Hertfordshire, UK A. Marsh, Peter Callesen, Flash Art, March - April M. Coomer, Peter Callesen, Time Out, Jan 19 - 26 H. Anderson, Peter Callesen: Paper Sculpture and Installation, Evening Standard Metro Life 2003 S. Kent, Peter Callesen / Kiosk, Time Out, Dec 3 - 10 P. Kyander, From Dust to Dusk, Charlottenborg Udstillingsbygning, Copenhagen, DK Public Collections: Wallsall Art Gallery, UK West Collection, USA Malmö Art Museum, Malmö Sweden MAT Charitable Foundation, New York, USA Television: 2002 8 minutes portrait of me and my work in the weekly artprogram Bildjournalen on Swedish National Television 10 minutes interview and portrait on NDR, German Television in the program Kulturnournal about my Floating Castle in Hamburg. Represented by: | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
HomeTextiles Today Useful Sites (一)
2009-9-7 0:15:58 阅读61 评论0 72009/09 Sept7
Casual Living
(USA) Casual Living is the on
Deep Links From Casual Living
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Links to upcoming events from Casual Living and its affiliates
Converting Magazine
(USA) Converting Magazine provides information on the printing and converting of paper, paperboard, film and foil into packaging and other products. It serves a broad base of professionals involved in the primary converting industries of flexible packaging, unprinted rolls or sheets, labels, cartoons, corrugated, and other finished package products. Converting Magazine reaches more than 3,800 manufacturers of converting machinery, materials, and supplies
Deep Links From Converting Magazine
- White Papers
White Papers on RFID news and research as well as other research in the convertin field
Furniture Today
(USA) Furniture Today is a weekly newspaper for retail stores, mass merchants, wholesale distributors, manufacturing executives, sales representatives and suppliers
Deep Links From Furniture Today
- Research Reports
See a list of reports from Furniture Today's Research and Editorial team
Gifts & Decorative Accessories
(USA) Gifts & Decorative Accessories is a publication that provides information for specialty retailers of gifts, china, glass, home accessories, greeting cards, social stationery and gift baskets, including specialty food items and personal care products
Deep Links From Gifts & Decorative Accessories
- Classifieds
Want ads for the Gifts industry with classifieds for representitives and products
Home Accents Today
(USA) Home Accents Today is a merchandising and fashion news magazine of the home accent and gift industries that provides business and product news and research tools
Deep Links From Home Accents Today
- Research Reports
Consumer based research and reports on the gifts and accessories industry
Industrial Distribution
(USA) Industrial Distribution magazine is the complete resource for distribution professionals. The monthly issue includes news, features and columns on sales and management issues, technology, supply chain trends, and new products. ID’s readers include distributor owners, managers and salespeople whose companies buy, stock and sell a range of manufactured products. Their customers include companies in the manufacturing, construction, government, institutions, food, and utilities markets, among others. ID’s Web site, www.inddist.com, complements the print edition with on
Deep Links From Industrial Distribution
- Calendar of Events
Upcoming events and conferences in the distribution industry
Logistics Management
(USA) Logistics Management is a magazine that covers supply chain management, transportation, logistics and distribution of materials, products and equipment. Coverage includes logistics and supply chain technology and international transportation
Deep Links From Logistics Management
- Research
Logistics management research
Material Handling Product News
(USA) Material Handling Product News reaches buyers and specifies of materials handling equipment, systems and technology that are responsible for materials handling solutions for their small-medium and large manufacturing, warehousing and distribution facilities.
Deep Links From Material Handling Product News
- Links
View links to useful industry resources
Modern Materials Handling
(USA)
Deep Links From Modern Materials Handling
- Links
View links to useful industry resources
Playthings
(USA) Playthings is a publication for retailers and manufacturers of toys and children's entertainment products that features articles on sales and promotion techniques and new-product information. The magazine also supports a web site (www.playthings.com), which is updated daily with news bulletins and briefs; and an e-newsletter Playthings Extra, which is delivered by e-mail to newsletter subscribers every Wednesday.
Deep Links From Playthings
- News
View retailing news
摇田河大街的故事
2009-4-27 10:16:44 阅读50 评论0 272009/04 Apr27
之-巴西铁开花
至今, 那一串串可人儿的清幽浓香味仍然清晰记得......
从下往上的角度拍
那是FC办公室二楼的楼梯平台上的一株巴西铁树, 平台上方就是高高的玻璃窗, 平时无论窗外阳光明媚还是云淡风清, 恐怕从没有人注意过这株并不枝叶茂盛的巴西铁, 在二楼的同事也不太多, 每天匆匆忙忙地上上下下着楼梯, 居然没人发现原来这已经吊了一大串的花蕾!
直至熏人的浓香袭来, 我才发现这串花蕾原来, 约在傍晚约17:30分的时间才慢慢绽开, 于是晚上一股一股的香气充满着整层的FC二楼, 到了白天, 小花蕾又完全闭合, 再到当天的同一时间再浓郁开放.
我心情激动地对着这些可爱的花蕾就这样看着它们在十分钟内慢慢完全开放,暗香涌动, 百看不厌, 无论从那个角度, 她们都有无可挑剔的美态......
在巴西铁最高的分枝里, 伸出这枝绽放着长短不一的花簇,长长宽宽的叶子间, 花簇未开时象绽放的烟花, 烟火从空中徐徐落下, 花开时每簇又绽放了上百朵小花，远看犹如一个个白色的小绒球, 烂漫璀灿......
万点轻雷无数花, 流光散绮到天涯.........
后来上网查了一下, 才知道原来这还是非常罕见的!巴西铁树属于龙舌兰科，别名香龙血树，原产于非洲，是一种著名的观叶植物。巴西铁树不仅在我国很少开花，就算在原产地开花也属罕见, 由于气候变化, 也许还有培育的原因,近年来南方地区有不少巴西铁都开花了.
除了喜欢它长长一串姿态优美的的花簇和四溢的浓香, 我更欣赏它勃发向上的生机,
万点轻雷无数花, 流光散绮到天涯.........
http://www.56.com/n_v198_/c18_/4_/21_/miao50_/zhajm_1178145792_249_/36000_/0_/13607196.swf
小记一小天
2009-3-28 16:18:36 阅读51 评论1 282009/03 Mar28
http://www.flickr.com/photos/ginger1977/
http://photo.163.com/photo/dubeedubeedu/?u=dubeedubeedu#m=0&p=1&n=24
北京
大望路
红庙里
今台路
大董
呼伦贝尔大草原
北京之夜,美丽愉快!
......
大家不知道吧......每天晚上, 我都会从酒店房间门里收到一张卡片......
卡片上的广告语就是北京之夜,美丽愉快!
另外的内容大概有: 中外校园美女, 按摩谈心24小时服务!
没太在意, 因为觉得也正常, 只是................
我想......
如果真有个成功男士, 在繁忙的工作之余.........
打了这个电话.........
找了个女孩子..........................
来到房间..............
只是为了...
跟她聊天....
分享........
交流不同的生活....................
那我多希望..........................................
他打我的电话.
哈哈哈哈哈哈!!!!!!
摇田河大街的故事
2008-12-19 13:49:23 阅读51 评论2 192008/12 Dec19
-------------------------之"阿云"
阿云操着一口客家口音, 听似这辈子也改不掉的了.
这天晚上,我们又带着疲惫不堪的躯体,坐上了阿云接送我们一等人加班回东区的面包车......
广州的初冬只是干干的阴冷秋风,开发区的绿化搞得非常好, 昏暗的路灯, 还是能看见路的两旁郁郁葱葱、层次分明的绿化带................................绿化带之外就是深不见底的荒山野岭了......。。。。。。。
车开着开着, 在一个红绿灯路口前50处,路的左边莫名其妙地板有部泥头车翻侧了, 似忽是早就处理过的事故，但散落的泥土和零乱的现场好象又没有人收拾过的样子，很是奇怪......大家回头望了一下，都在想这究竟是怎么回事的时候......车已经驶到红绿灯路口......
突然，
阿云转过头来， 对我们坐在后面的两个人说，“唉....你地两个，记得补翻两条命来.....!!!" （广东客家话：你们两个， 补回两条命来！）
哇塞！！！~~~顿时，气氛变得很恐怖，宽宽的十字路口，等着红绿灯的时候......联想起刚看见的那事故现场，我脑海里立刻的自然反应是，呸呸呸呸呸...........................................这个阿云，说的什么普通话啊。。。吓死啦。。。补回两条命来！！！
原来他是在叫我们补回两个签名啦.......因为那晚我们没写用车单啦， 唉呀！！！！！！
2008年11月29日-想写下来的又没及时写,不该写的又写出来了
2008-11-29 11:33:01 阅读38 评论1 292008/11 Nov29
许久没来这里了........
今天突然路过,熟悉的Bic Runga又在耳边想起,我曾几何时想过放弃.....如今又勾起我不舍的情怀......
事情每天都发生,也许我应该做的就是: 坚持.
唉......又无病呻吟了......
克服惰性的六个步骤
2008-9-23 20:00:43 阅读48 评论1 232008/09 Sept23
这件事我一定要做了。真的要做了。也许可以再等一会儿。先休息一下，看会儿电视，上会儿网，聊会儿天。这件事我明天再做吧。
我们每个人都会有这样的经验，一些事情需要我们完成，而惰性却总是占了上风。如何能克服惰性成为如何完成任务和GTD的一个重要话题。Paul’s Tips最近在一篇文章中提到如何通过六个步骤来克服惰性，完成任务：
-
承认辛苦的代价，看重愉快的结果
大多数人产生惰性延误工作的主要原因是因为要付出代价，让我们多少感觉有些辛苦，哪怕只有一点。就象我们都喜欢干净的厨房，但洗碗又是一件讨厌的活。渴望成果却不愿意忍受痛苦的过程。一个好的开端是承认需要付出的代价，但强调工作完成后的结果，肯定这个结果值得付出的代价。比起最终的成就感，这点痛算什么？
-
提高对辛苦的承受能力
每个人对辛苦都有一定的承受能力，并且都可以一点一点的将其提高。一个好办法就是从小事和相对简单的事情做起，循序渐进，慢慢提高对“辛苦”的接受程度。
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从小事做起
勿以善小而不为。当你知道有什么小事需要你马上去做时，立刻就去做，一分钟也不要耽误。如果你心里有什么声音告诉你一堆理由妨碍你去完成这件事，不要理它们，立刻去做。不要犯嘀咕，做完就完了，只是件小事，不值得你左思右想。
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大事化小
当你已经可以克服小的阻碍完成工作后，只要学会把分量更重的工作划分成很多小的部分，一部分一部分完成，大的困难也就不在话下了。不过，要确认这些小的部分的确有意义，而不是找借口拖延时间。
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不要计划太多，马上动手做
不要花太多时间整理和规划，只找眼于整体会让你看到做这件事多难多辛苦，你应该找出可以付诸行动的小的突破点，马上开始行动。没有什么大事是一蹴而就的，将一个一个小困难一一攻破，就能获得最后的胜利。你的任务就是找到下一步能马上开始做的事情。
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不要害怕浪费时间
另一个让很多人束手不前的原因是害怕浪费时间。好像没有把什么事情都安排好就没法开始。其实，只要开始做就不可能是完全的浪费，哪怕失败也是有价值的，从失败中我们可以获得很多经验。最重要的是，在尝试中，我们除了获得失败，还能获得成功。
一起玩沙堆拍公仔纸的日子......
2008-9-21 1:14:28 阅读82 评论0 212008/09 Sept21
在鸭子QQ空间里看到啊扁在上次我们小学同学聚会时用手机拍的几张照片,就贴贴贴贴啦........................
衣服什么时候湿了一大块
简陈李李
